Holy cow! Why have I waited this long to discover actor-network theory??
My first introductions to ANT came about serendipitously in person:
- I attended a talk by Matt Ratto (University of Toronto) a few years ago on “Critical Making.” His language about “materiality” and his invocation of the name Bruno LaTour made a big impression on me. His presentation lit up my brain, and although I didn’t pursue researching ANT at the time, I had a frame of reference that had me interested in learning more. Appropriately enough, Ratto’s expertise is on STS (Science, Technology, and Society), which is where LaTour made his mark and where ANT drew its founding inspiration.
- I then also came to know Sean Justice, Ed.D., while he was working on his dissertation at Teachers College. Sean again used that word “materiality” and his perspective as an arts educator seemed familiar and yet innovative and surprising. It was in conversation with Sean that I assembled the starting points of this week’s bibliography.
And it followed through this week with a lot of rigorous, stimulating reading. I’ll lead with my bibliography, listed in the sequence in which I read them:
Fenwick, T., Edwards, R., & Sawchuk, P. (2015). Emerging approaches to educational research: Tracing the socio-material. “Chapter 1: Why Sociomateriality in Education?” Routledge.
Cressman, D. (2009). A brief overview of actor-network theory: Punctualization, heterogeneous engineering & translation.
Wright, S., & Parchoma, G. (2011). Technologies for learning? An actor-network theory critique of ‘affordances’ in research on mobile learning.Research in Learning Technology, 19(3).
Johannesen, M., Erstad, O., & Habib, L. (2012). Virtual learning environments as sociomaterial agents in the network of teaching practice.Computers & Education, 59(2), 785-792.
Esnault, L., Zeiliger, R., & Vermeulin, F. (2006). On the use of actor-network theory for developing web services dedicated to communities of practice.Practice, 298-306.
Latour, B. (2007). Reassembling the social. Conclusion. Hampshire: Oxford University Press.
Phew! Once I got started, I could scarcely stop. I’ll keep my update this week brief because I am sure that many of the ideas I encountered here will inform my final project next week.
ANT articulates a stance that I find to be very powerful when considering the design of learning environments by emphasizing the interrelatedness of things.
“[ANT argues] that everything – people, organizations, technologies, nature, politics, social order(s) – are the result, or effect, of heterogeneous networks.” (Cressman, 2009, p. 4)
What a powerful idea to take into consideration as designers! The learners, the curriculum, the materials, the tools — all of these things are results of actors, both human and non-human, which interact with each other. As designers we need to consider them all equally. And that’s part of the power of ANT: that all actors have agency (including non-human actors), all actors are results of networks of their own, and so every level of analysis is equally rich and worthy of analysis. Thinking in this way can help us consider the impact of UI in a virtual learning environment and the storage bins used in an art classroom, and how these “minor” details behave in the rich networks of learning environments.
ANT opens ideas that have otherwise been black-boxed. (Reading LaTour take down sociology, as an entire field of study, by opening up “the social” was pretty amazing.) What are all of the black boxes we have glossed over this semester? How can we examine more closely the processes at work in learning environments? How can we learn to discuss the pedagogical and political implications of the “smallest” decisions we make?
I’m looking forward to digging into some of these ideas in my final project.